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Hire The Right Team
For Your New Media
Positions
VOLUME XXVII, NUMBER 28
As
station executives continue to develop their online and digital presence, more
staffers will be added to manage and produce content for the new space.
The new media requires new skills and attitudes. For advice on how to approach
these staffing decisions, we turn to veteran television executive Tom Dolan,
President of Dolan Media Management.
To win online, hire smart
As
online use continues to grow, broadcasters are taking a more serious look at
the Internet and what it means to their future.
It's clear that to win online is going to require an investment.
"If you really want ownership of the Web in your market, you really need
to staff it up," says management consultant Tom Dolan.
"You must start to recruit for these positions. You can't afford to wait
for the revenue to catch up," he urges.
The
Web positions range from corporate jobs, such as the director of new media or
digital content, to Web producers or editors.
"Because of the increased sophistication and complexity of this, and
viewer interest in it, it needs to be a recruited for position that is a
priority. Criteria should be set up by each station and company," he says.
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"In general, the person needs to be
a practitioner. They need to touch and feel it.
"A lot of us in news management felt we had to do all the jobs in the
newsroom to really understand senior management. It is even more true on the
Web."
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Tom Dolan
Dolan Media Management
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They must have a passion for the Web,
its mechanics and
techniques
To pre-qualify, a Web producer must be a consumer as well.
"The old days of just reporting 'news' that is observed or discovered may be
past. Today's Web producer or manager must understand how it all works to grow
the business," says Dolan.
"They must live the Web. The management books talk about how the CEO must
be willing to go downstairs and try out the product. In this case, the person
must be very accessible to other Web consumers, be interactive with their
subject communities, as well as geographic communities, and know how to use
your TV air to trumpet and sell Web content, and then drive it back to the TV
air," he says.
It's not just a question of skills, but also of attitude.
Dolan quotes Jeff Parsons, Internet Broadcasting's Director of National News
& Content, who says, "Don't hire just for their resume, but for their
passion and motivation."
"They need to be entrepreneurial in spirit. They must be willing to be a
student of the game and to know what's working and what is not working, and
why," says Dolan.
The job candidates must be committed
to building a unique Web site, and not just adept at merely repurposing
material.
They must produce unique Web content that is directed at certain times of day,
news on demand needs, and a person's appetite for the story. "The best
case scenario is where you are aggregating in subject areas unique to your TV
news product. The worst case scenario is taking materials produced for a TV
newscast, carting them down the hall and posting them on a Web site," says
Dolan.
The person in charge of the Web must be skilled at
layering stories, angling stories and at seeing opportunities for user
contributions.
They must be flexible. Web hits can show what story is capturing the audience's
attention. A good Web editor should be able to re-group and arrange their slide
shows and angles around that.
As
an example of a fresh Web approach, Dolan points to the online coverage of the
Scott Peterson trial by KCRA-TV, Sacramento.
It combined audio of the trial, courtroom sketches and play-by-play instant
messages sent by the reporter from the courtroom. This was displayed in the
left column online.
"They won that story. More people watched it online than watched it on
television, because of the unique nature of how the station covered the
story," he says.
"It was a commitment to cover it in a certain way for the Web, because
more people were available to watch it on the Web than to watch it on
television," Dolan adds.
You need at least three types of Web editors and
producers.
Early Morning: Agenda setter
"At 4
or 5 a.m., you need Web editors who can support the morning newscast. They
should be good at identifying the hot topics of the day that will set the
agenda," he says.
Midday: Angle and enterprise
Ideally, by
10 a.m. you have a top story developing. You need someone who can angle and
enterprise stories off the key topical stories, or launch investigative stories
off the key topicals to sustain the interest when the appetite is high.
Afternoon-Evening: Win Breaking News
Dolan
believes that for the later afternoon and evening, when you are interested in
driving people to the Web and back to your newscasts, you need someone who is
really good at covering breaking news.
Dolan warns that newspaper Web sites are already staffing this way.
Study their work at length
You may need to spend more time to get an accurate reading of
an applicant's Web site than you have needed to invest in the past to
understand on air newscasts.
"You can look at a newscast, and within a couple of calls decide who is
driving that good product. With a Web site, it's not as easy," Dolan
warns.
"As you look at a Web site, you may need to look at it over a period of a
week and see how they manage the full user experience. The user must feel some
satisfaction --- they must have a multi-media experience that goes beyond video
and text. There may be slide shows, audio, perspective and blogging from
different users," he says.
"There are different criteria, and if your Web site is going to be
successful, you need someone more in that mindset," Dolan adds.
A candidate should walk you through their current Web
site, explaining content and strategy.
Role play potential stories.
Create a possible story and ask them how they would produce it
online. What are the additional angles to build it out?
An example is when Steve Irwin died from a Stingray. An additional click on
msnbc.com offered video demonstrating what a barb is in an aquarium.
If there is a chemical spill, you'll need to quickly produce a map that shows
the evacuation area, a wind direction graphic that clearly shows where not to
go, and maybe a story on what's actually burning.
Your hires must see additional
elements of the news of the day.
"You want someone who buys into the idea of whatever you choose as your
key content drivers, and each day they must know how to go deep on that
subject, as opposed to spreading themselves thin on a lot of subjects," he
says.
In a crime story, you might include a trend of robberies in a certain area,
including an archiving of past stories about things that have happened in that
area of the city.
The candidate must excel at niche content aggregation.
"The mindset should be to collect the best of your subject matter from the
Internet on your site," Dolan explains.
To win return, long-term visits from individuals interested in a specific
subject, you need to reinforce the niche status daily and change the content
constantly ( a significant challenge), and you need to hire a staff that can
execute this, he says.
Your next staffer must be creative with producing
interactive elements.
These features stimulate users to react, comment, click, vote on opinions,
provide suggestions, and stay on the site longer.
Marketing and promoting the site are
a major parts of the content.
The successful Web worker creates unique selling points with the angles and
elements. These must enhance your brand. These must clearly be yours and
available only at your site.
Where do these people come from?
Do
you hire people from within the industry, who have traditional news
backgrounds, or do you hire non-traditional people who work in the
"space"?
This continues to be the big debate.
"We get a lot of questions about this, and our feeling is that you need to
look at both --- non-traditional and hybrids," says Dolan.
Dolan
says fellow consultant Graeme Newell believes news managers should also
consider hiring community-based Web contributors who can work from home.
For example, if crime is a big issue in your market, a former police officer or
detective might be a good Web crime reporter and be able to get information
that a general assignment reporter might not be able to find. Or it may be a
law enforcement officer who likes to blog and who has a useful perspective.
These non-traditional "hires" may or may not be paid
positions.
Newell points out that there are a lot of people who are willing to work
part-time on something they are passionate about.
For
more information on this and other management issues contact:
Dolan
Media Management at 301-668-1511
smartrecruit.com
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TV Producer Questions
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Website Producer Questions
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On Breaking News, is it more important to establish live
coverage or tape story elements?
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What are your general rules for dealing with Breaking News
On The Web?
How do you balance the priorities of streaming video vs live on your current
site?
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How
do you build a big story out big?
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How
do you build a big story out big?
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Do you produce anchor set up elements and live team
coverage?
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Do you believe it's better to start with a basic package, or
angle the story lines right away on the Web?
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Do you continue to update your viewers and produce
spin-off stories for other newscasts?
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What visuals would you produce?
How often do you update the story?
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What are your daily routines for news gathering?
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Do you have any favorite blogs?
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Do you read the wires, national and local papers?
How often do you listen to the local radio stations?
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Do you have your own blog or ever written for a blog, or use
specialty blogsites to go deep into a story?
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How do you get diverse opinion?
Do you read magazines that take an editorial position or shape opinion?
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What are your preferred Web sites for basic news, video, trends
and talkers? Do you use time-savers like aggregators?
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What drives your weather coverage and presentation?
Do you tell a weather story or voice over radar?
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A recent study showed that people may
prefer national weather services localized to their zip code, like The
Weather Channel, www.weather.com over their local TV station's site.
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Do you mainly rely on your lead meteorologist for your
daily coverage plan?
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How would you produce more local, unique weather for TV
station sites to compete with the national services?
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What
drives your approach to writing teases?
What are the elements for a good tease?
Do you signal coverage early in the day for a story airing later?
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What is your approach to teasing and promoting?
Users complain about promos. What can you do to promote "site
stickiness" and get users to spend more time on the site?
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Talk about your skills to execute our (Breaking News,
Investigative, On Your Side, etc.) station positioning. What do you do each
day in your current newscast to make sure viewers feel they are getting this
type newscast?
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Many successful Web sites are driven by people who produce
a unique experience for the user. Sometimes it's passion for a subject or
general entrepreneurial approach. How would you help create this new vision
for the station through the Web?
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